Bridal bliss
June is a popular month for weddings, a decision that stems in part from the medieval tradition of taking an annual bath in May, thereby making some sense to have the nuptials shortly afterwards.
If ever there was a place to lay out the history of this most important of dresses, then the sumptuous surroundings of the Victoria and Albert Museum is that place. The result, Wedding Dresses 1775–2014, is 80 creations chosen from more than 300 years. It includes Kate Moss’s 1920s-inspired sequinned sheath of genius by John Galliano, a simple dress from 1775 that has all the hallmarks of the Empire, and two dresses worn by wartime brides, a reminder of how clever the English girl can be at making do and mending.
The tradition of wearing white started with Queen Victoria and gave birth to an industry now worth billions. We have her to thank for the society wedding and our obsession with seeing what everyone wore. The exhibition doesn’t include the Duchess of Cambridge’s dress but it does include the Duchess of Cornwall’s perfectly chosen embroidered silk coat by Anna Valentine.
All the dresses tell a story; with the shoes and handbags providing wonderful supporting roles. In 1933, it took Norman Hartnell’s 30 seamstresses six weeks to build the creation worn by Margaret Whigham. Taking no chances, the royal courtier had already measured the nave to ensure her 12ft-long, 9ft-wide train would fit. As she processed along Knightsbridge to Brompton Oratory, the traffic stopped. As it still does for any girl on her big day.
Until 15 March at the Victoria and Albert Museum, London SW7: 020-7420 9736, www.vam.ac.uk